Ed Burleson


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Ed Burleson
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June 10, 1969 was a red-letter day for Richard and Linda Burleson. Their son, Bennett Edward IV was born in Garland Memorial Hospital. Richard worked in purchasing at that hospital by day, but by night he played his drums every night of the week in Dallas. Both of Ed’s parents loved many kinds of music, so their children were exposed early to everything – classical, jazz, gospel, and hard country (even a little rock and roll). The family moved around a lot because Mr. Burleson was in sales. Ed’s growing up years were spent in Garland, Denison, Tulsa (the only place that wasn’t in Texas), Conroe, El Paso, and Lewisville, where he still lives. Ed was in FFA and rode for the Lewisville High School Rodeo Team. Traveling to rodeos and listening to small town radio stations while going down the road introduced him to Texas music – also listening to the Red Neck Roper Review on KNON in Dallas on Friday’s. He accepted a scholarship to Hill College in Hillsboro, Texas. While there, he traded a piece of rodeo gear for a guitar. As pitiful as the guitar was, he managed to learn to play a little. While at Hill he sang at the Spring Fling that they have every year. After college, he moved back to the Metroplex. While riding in a PRCA rodeo in Ft. Worth he acquired a knee injury that led to surgery. It “benched” him just long enough for his love of country music to take hold. He often went to the Three Teardrops Tavern on Industrial Boulevard in Dallas to hear musicians such as Gary P. Nunn, Robert Earl Keene, Junior Brown, Ray Wylie Hubbard, Hank Thompson, etc. The owner had a newcomer’s showcase one Sunday afternoon and invited Ed to be one of the featured songwriters. He told Ed if he could put a band together by Thursday night, he could have every Thursday night. Ed did manage to put a pretty good band together, and the rest is history. The only original from that “Thursday night” band is his drummer who is also his dad, Richard Burleson, though Ricky Davis still occasionally plays steel with the present band. He had the opportunity to do his first recording “Live at Three Teardrops”. The tapes sold out, and no more were ever made. Through backing of friends and production talents of Roy Ashley, Ed recorded his first CD at Clay Blaker’s Cherry Hill studio in the Hill Country. It was titled Comin’ Around. At an engagement at The Broken Spoke Saloon in Austin, Texas, Ed gave a copy of the CD to Doug Sahm. The following Monday morning Doug called Ed and asked if they could get together. He and Ed became fast friends and he became Ed’s manager. He liked the CD so well that he wanted to use it as a foundation and just tweak it some to put it on his Tornado label. It became Perfect World, and went to number 4 on the Americana Charts.
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01/26/2006 - Revisiting 'Terlingua' - Read More
05/06/2004 - Record review: Ed Burleson, 'The Cold Hard Truth'  - Read More
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Average Rating : 0              Total Reviews: 36


Ed Burleson  05/06/2002            
aggiecwby
Good ol fashioned honky tonk music! The live at the son's cd is great. 16 songs all worth listening to. There's really no one I can think of out there that is doing Texas music honky tonk stlye quite like Ed!
Ed Burleson  02/28/2002            
Tanner
You are awesome Ed, We can't wait for you to come to Abilene. I think my uncle Eli needs to do a little more than sit around and drink beer, something like sing a song or do something. Thanks for the drum stick!!!! TPG
Ed Burleson  11/11/2001            
njbullrider
Pure country music at it's best. The beat, swing, fiddles, steel guitar...all sounds to make you feel great and take you away whether driving down the road or just hanging 'round. If these songs had the air play that some of the pop artists disguised as country musicians get, Ed Burleson would no doubt be as popular as any of them. Everyone I play this disk to wants a copy. I look forward to future albums and hope that in the process the music stays as pure as it is and never gets Nashvillized. Bravo from New Jersey, Ed.
Ed Burleson  11/20/2000            
Tom Faulkenberry
Exceptionally cool guy. Saw him in Gainesville earlier this year, and he blew me away with his pure honky tonk sound. I didn't know that it even existed anymore, but Ed proved me wrong. I had already bought the CD way earlier, and his live show just bolstered my opinion of the CD. Excellen stuff. Check it out!!
Ed Burleson  11/19/2000            
DP
ACTUALLY HAD A CHANCE TO SIT DOWN AND HAVE A BEER WITH DUB AND CHAT. THE GUY IS "DOWN TO EARTH AND KNOWS HOW TO HAVE A GOOD TIME." SITTING ON A FRONT PORCH AND LISTENING TO DUB IN THE RAIN IS UNDESCRIBABLE. GREAT TEXAS MUSIC!
Ed Burleson  10/07/2000            
Texas Music Guide
Feb. 21, 2000 - Nashville Scene - A sixth-generation Texan and former rodeo competitor, Burleson represents much of what down-home Lone Star country music should be. As revealed on his debut album My Perfect World--the first release on the late Doug Sahm's Tornado Records--his laid-back, barroom country tunes have more in common with George Strait or Clint Black's Killin' Time than with fellow Texas honky-tonkers Dale Watson and the Derailers. Watson and the Derailers, for instance, draw heavily on the Bakersfield sound, and Watson's songs are riddled with references to truckers and grease monkeys. Burleson is more of a slow-drawling, close-cropped, thank-you-ma'am cowboy type, with starched jeans, pressed dress shirts, and molded Western hats--like a lot of Nashville singers these days. But Burleson is not a careful revivalist. Instead, like Strait, he's that rare artist who uses traditional music forms to speak about who he is and what matters to him in an entertaining, earthy manner. For example, his song "Wide Open Spaces" laments the loss of undeveloped countryside, and when he puts down Nashville in "Going Home to Texas," it's with a gentler, more joyous feel than, say, Watson's "Nashville Rash." Although Burleson is a distinctive songwriter, My Perfect World features a few choice songs written by others, including a couple of Jim Lauderdale tunes, a couple of honky-tonkers by his mentor Doug Sahm, and another by his producer, Lone Star club favorite Clay Blaker. However, the most telling songs on the album are the tender weepers written by Burleson. In the title track, his heart bursts as his wife suggests they married too young. In "Dreamworld," he silently observes his wife putting on a party dress and preparing to spend yet another night in bars without him. And in the sweet "No Closing Time," he wishes a night on the town would never end--not because he wants to keep partying, but because he doesn't want to stop dancing in the arms of the woman he loves. Burleson has quickly made a name for himself in Texas, where he's been championed as a real-deal country singer. He deserves such praise--as well as the attention of Nashville, which would benefit greatly from bringing back the kind of genuine sentiment and naturalness that Burleson instills in his music.
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