James McMurtry















































James McMurtry
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On Just Us Kids, James McMurty follows up his critically acclaimed Childish Things with a dozen new, sharply drawn illuminations as he continues to hone and expand his considerable gifts. And the self-produced opus (James' fourth venture pulling strings on both sides of the glass) unquestionably represents his most ambitious, accomplished and ass-kicking presentation to date. Just Us Kids will be the first release for Nashville-based Lightning Rod Records; label president Logan Rogers previously worked as Vice President of A&R for Compadre Records on McMurtry's previous two albums. The Texas native long has been known as an astute, clear-eyed observer and concise, no-holds-barred chronicler of the human condition, but a growing socio-political edge fairly exploded just prior to the 2004 elections when his scathing, palace-rattling "We Can't Make It Here" was made available online as a free download. The seven-plus-minute diatribe against social injustice and the Administration's hypocrisy and deceptions repercussed wildly across the Internet and the airwaves, igniting a grassroots firestorm that has brought legions of new fans to the singer/songwriter's work. As of this writing, fan-made videos of "We Can't Make It Here" have been viewed more than 150,000 times on YouTube. Released in autumn of 2005, Childish Things featured an uncensored version of "We Can't Make It Here"; the CD spent six weeks at #1 on R&R's Americana Music Radio Chart in 2005/2006 and racked up James' best sales totals in a decade en route to capturing nods for both Best Song and Best Album from the Fifth Annual Americana Music Association Honors and Awards. Just Us Kids — McMurtry's ninth full-length album — picks up on the heat of Childish Things, and while he insists that "the majority of the songs are not political," it's also clear that he's not even close to abandoning his burgeoning role as a searing political gadfly. So, roll over Kate Smith — this "God Bless America (pat mAcdonald Must Die)" bears no resemblance to the ubiquitous Irving Berlin chest-thumper; it's a scorched-earth cataloging of the old-boys' club glad-handing, cronyism and "belly up to the trough" feeding-frenzy of corporate and state war profiteers. "Cheney's Toy" juxtaposes the Hollywood hubris of the Bush administration against images of Guantanamo and a brain-damaged U.S. veteran (free downloads of it have been provided at both McMurtry's and Lightning Rod's websites for a "make-your-own-video" fan contest). "The Governor" probes the roles of class and wealth in the solving and prosecution of crimes, and "Ruins of the Realm" sorts through the fallout and detritus of a cynical, unilateral approach to global "mapping." "Just Us Kids" is a sonically-majestic, lyrically-grounded heartland rocker that takes a bemused look at the passage of time relative to one's own sense of age and image; with one's sense of internal youthfulness belied by the inevitable flesh failures, the title track glides through the years, arriving at the mid-life realization that we're "not so skinny, maybe not so free/not so many as we used to be . . ." "Freeway View" is a honking, breakaway rock 'n' roller propelled by Ian McLagan's dazzling ivory-tickling while, according to James, the Dylanesque "Hurricane Party" inhabits "an old man cussing himself for what he misses and what he missed, occasionally noticing what's happening now — it's a reminiscence at the end of the world." The sublime "Ruby and Carlos" looks at a relationship eroded by miscommunication and conflicting ambitions (with Gulf War Syndrome further roiling the waters). Ruby and Carlos aren't doomed by a single fatal flaw; instead, their love is exhausted by a series of minor disconnects, finally dying the death of a thousand cuts. "Fire Line Road" looks at incest and meth addiction as the normal, everyday, ghastly horrors that they are — exposing some of the ugliest dirt we've always swept under our societal rug. The moving set-closer "You'd a' Thought (Leonard Cohen Must Die)" imbues its tale of a couple strained by individual weaknesses and stubborn old habits with a generosity of spirit and wry resignation. McMurtry says the parenthetical tag is there because "the lyrics kinda reminded me of a Cohen song, and I was still writing it while we were supposed to be recording it, and it just went on and on. So when I finally came up with it, I said ‘If it wasn't for Leonard Cohen, you wouldn't have had to spend half the day waiting on me.'" The core band throughout is McMurtry on guitar, his longtime road band The Heartless Bastards (bassist Ronnie Johnson and drummer Daren Hess) and "guest Bastard" Ian McLagan (The Faces) on keys. Extra texture arrives via some hand picked, well-placed cameos: Timbuk3's pat mAcdonald adorns several tracks with his patented, haunting harmonica and all-around otherworldliness. Swamp-king C.C. Adcock (McMurtry: "He's as subtle as a brick through a windshield . . .") saws off some six-string mayhem on the raucous opener "Bayou Tortous," and the splendid Jon Dee Graham (whose band shares the Continental Club's stage with McMurtry & Co. on Wednesday nights in Austin) shreds maniacally on "Fireline Road." And that's James' 17-year-old son Curtis McMurtry blowing baritone sax on "Bayou . . ." McMurtry's own guitar work tends to be overlooked relative to his spectacular tunesmithing, but despite his poor-mouthing — "I can't afford to pay to have it done, so I had to learn how to do it myself" — it's a flinty, muscular style perfectly suited to punctuate and emphasize his cogent, acerbic revelations. These recent years have found James McMurtry's many skills steadily coalescing into an increasingly substantial, formidable whole: the voice, the tunes, the stories and the musicianship have become elementally interwoven to create the inimitable fabric of a distinct, singular artist who's determined to get to the heart of the matter, shake things up and do whatever it takes to make a difference. In his regular column for Entertainment Weekly, noted author (and passionate rock 'n' roll enthusiast) Stephen King cited McMurtry as "the truest, fiercest songwriter of his generation." Amen to that. And Just Us Kids makes
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03/24/2011 - McMurtry meets the Bottle Rockets - Read More
11/26/2010 - Bars & Clubs: James McMurtry Plays Club Helsinki On Dec. 2 - Read More
08/13/2010 - Singer-songwriter brings stories of success, struggle - Read More
08/12/2010 - Singer-songwriter McMurtry brings stories to Ashland - Read More
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10/03/2005 - James McMurtry Q&A - Read More
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Average Rating : 4.8              Total Reviews: 64


James McMurtry  10/20/2008            
clayton walters
needs to come to corpus or port aransas. he has a pretty big following in south texas
James McMurtry  04/17/2008            
JP Steveson
Got this album Tuesday night at the Continental Club at James' CD release party. Great, great album. To me, this is the kind of thing that will get someone who deserves it a little attention outside of the smaller circles. As a side note, the show was unbelievable. Alejandro Escovedo opened for him, great, great show. Good deal James, stay cool
James McMurtry  08/29/2007            
Flowanderer
Am I the only one that thinks the Guardsman in "Holiday" is a relative of the driver? He comes out of nowhere to torment the long night's drive back home. It's more like a flashback than an ending. This CD contains three of the best songs ever written. And we'd argue about which songs they are. You need more stars.
James McMurtry  05/20/2007            
Paris
Just saw McMurtry in NC, SC and GA. Very powerful shows. When James sing's the lyrics near the end of "Holiday" without guitar it brings tears to your eyes and anger at what is happening in our country right now. I consider McMurtry the voice of my generation. Don't stop spreading the message...
James McMurtry  02/18/2007            
floyd gacsy
ifyou want to get the most of anything.you got to listen to everything that is spoken. when james speaks he has spoken. listen to the lyrics, you will get the most of the music floyd the ox gacsy
James McMurtry  12/26/2006            
ADRIAAANNNN!!!
Got the stuff for XMAS. Great tunes. Keep Charlie Richards playing with you too...he's a cool cat!
James McMurtry  12/14/2006            
scott
One guitar sound like two. That is a great description for what McMurt sounds like. Music like this, Townes, REK and the Braun family can help us all forget that there is a saturation of bad music in the world. Thanks to James and all of his fans for not being part of the brainless, tasteless hords that make pop culture suck.
James McMurtry  11/29/2006            
Tom
James can make one guitar sound like two. With lyrics that run deep, and plays it with raw guitar and raw energy. It is hard to find musicians and songwriters like him. He is like no one I have ever heard.
James McMurtry  11/26/2006            
Jeff Smith
Unbelievable. I thought balladeers were a thing of the past. Most compelling guitar work I've heard since Mark Knopfler. Everyone I play this for says, "who IS this guy?" His music gets in your head and stays there. His lyrics make you laugh and cry. Check it out!
James McMurtry  09/19/2006            
Boss Hoss
What else can you say. Look at what he is nomianted for at the AMA this year. If you arn't listening to a little Jimmy you should be stopped and searched at the border.
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