Shooter Jennings


























Shooter Jennings
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Don't let Shooter Jennings fool you. Sure, he rocks. He's lean and wiry, with tattoos snaking up his arms his mother's name on one, a gun on the other and a crimson stud gleaming in one ear. He's played sold-out shows at the Viper Room and the Roxy. He's subbed for Axl Rose onstage twice with Guns N' Roses. But look a little closer. Underneath that gun are the letters CBCS, for "country boy can survive." That earring turns out to be an eagle silhouette spreadwinged into the letter "W" an icon known by anyone who has listened to and loved the original outlaw, Waylon Jennings. That same icon is etched onto Shooter's stomach, but the one in his ear is even more special. "My dad got his ear pierced when he was I swear to God sixty, because he wanted to be like me," the younger Jennings explains. "This was the earring he wore and I'm wearing it now." If that's not enough to make it clear that bloodlines run deep from father to son, then check out Shooter's debut album, PUT THE O BACK IN COUNTRY. The passion on "Southern Comfort," scraped raw from the walls of some backwoods church the guitars on "Daddy's Farm," stacked, harmonized and slathered in deep-fried soul "4th of July," a crank-it-up summer celebration sweetened by a sprinkling of George Jones the treadshredding, back-road, hairpin spin of "Busted in Baylor County" and, above all, "Put the 'O' Back in Country," which jabs a finger in the eye of everything that's wrong with America's music today Hoss, it's country music, the way it ought to be alive with blood and thunder, spit and spirit and Southern soul. Waylon fought this battle in his own way, back in the day. But the sun has sunk and the shadows have spread deeper across country music since then. And as cowboy poseurs roam this dim and dreary land, Shooter sets it ablaze with an affirmation that country music real country music is back. And this time it's not going away. "The main thing I want people to understand is that I'm a country artist," Shooter says. "Sure, there's rock in there. I've played a lot of rock & roll. I take a lot from it. But it's country music. And I'm going to push it as far as I can because it's that important." "I'm rollin' like a freight train, comin' straight at you/I'm playin' hillbilly music, like I was born to do/You know, it ain't country music you've been listenin' to." "Put the 'O' Back in Country" Waylon Albright Jennings was born rollin'. The only child of Waylon Jennings and Jessi Colter, he lived his first few years in a crib on his parents' tour bus. "I thought everybody's family was like mine," he remembers. "We'd check out of hotels and travel all night. Songwriting, shows, stage setups, the band, the crew, the bus, the trucks all that stuff was normal. And I loved it. To this day I sleep better on the bus than anywhere else." Above all, there was the music though, strange as it seems, Shooter never thought of it as something he himself would ever do. "I remember hearing Dad's band," he says. "They were always great. I loved the way those shows felt, with the colored lights coming on. I can still really see him onstage, starting 'Luckenbach, Texas.' Night after night, I'd watch from the wings. But I never put two and two together, like, 'Maybe I'll get older and do this too.'" Without thinking about it much, Shooter started making music anyway. By age five he was playing drums. Between tours, back in Nashville, he took piano lessons, didn't like them, stopped, then started teaching himself and enjoying it more. He picked up his guitar at fourteen and hasn't put it down since. He and his dad recorded a few things together when they happened to have some microphones set up and the tape recorder plugged in. Then at sixteen he discovered rock & roll. Driven by a sound he heard coming together in his head something like Lynyrd Skynyrd mutating into Guns N' Roses Shooter left a couple of years later to seek his fortunes in L.A. "I had to get out of Nashville because I didn't feel it was my place at the time," he explains. "I wanted to get out while I was young. I wanted to play rock, and if I'd tried to do that in Nashville a lot of expectations would have been laid on me. I wasn't comfortable with that, so after I got out of high school, I was gone." In L.A., Shooter assembled a band and named it Stargunn. For six or seven years they tore up the local clubs, built a rabid following, earned raves from the local music press but something was wrong. "I loved rock," he explains. "I loved its 'f-you' attitude. But that Hollywood thing started to get to me. The more I went to all these crazy Paris Hilton parties, the more I was like, 'Man, this sucks!' I felt like everybody I'd known back in Nashville was looking at me like I was some big Hollywood asshole. I was posing as a rocker a country guy trying to be something he wasn't." As this sank in, Shooter remembered one of the many lessons of life his father had passed down to him. "The most important thing he ever said to me was, 'Don't ever try to be like anybody else, because you ain't never gonna be.' Then one day I was trying to describe what I wanted in this one song, and I said something about David Alan Coe, and everybody was like, 'Who?' That's when I realized that about 75 percent of my story wouldn't work with this band." On March 30, 2003, Shooter dissolved Stargunn and went to New York City to spend some time with his girlfriend and sort out what he wanted to do next. It took just a few weeks for Fate to show up, as it often does, with an opportunity, in the form of an invitation to play at the House of Blues in May. "I was certainly not ready," he remembers, "but I said yes just to inspire my ass to get a band together and try. We did that show, and it wasn't terrible, but it was enough to pump me up and get me to start writing the songs I wanted to write." Once he had his material together, Shooter went back to L.A., found some musicians who could connect to his true, new sound, dubbed them the 357s, and locked himself into a studio with them. Six weeks later they emerged with Put the O Back in Country, a set of rambunctious country that leaves no doubt of where Shooter comes from and where he's going. "In country music I feel completely free to do what I want to do," he insists. "I still get off to a lot of what's going on in rock the White Stripes are great and so is Velvet Revolver. I almost feel like real rock & roll is more present in country than it is in rock. You wouldn't hear 'Keep Your Hands to Yourself' on rock radio now. It'd be on country radio, because you can't bullshit country fans; they know authentic music when they hear it. And that's what I'm out to do." Not only that Shooter does it with a sound that's nourished by tradition, that acknowledges his family, and yet is entirely his own. "In my head, I still wish I sounded like a Waylon record from 1978," he laughs. "But I know I sound like myself. I guess that comes from finally doing what I want, even though I'm embracing my heritage too. That's important in country music. Somebody asked me once if it's hard living in my father's shadow. Hell, no it's great! I love my father's music. In fact, I want a Waylon song on my next record. But PUT THE O BACK IN COUNTRY is all me, coming out fast, balls to the wall." Shooter is already on his way, a shooting star on the rise. His duet with Hank Williams, Jr. was a highlight of CMT's Outlaws special in the fall of 2004. "Please Carry Me Home," which he wrote and recorded with his mother for the anthology Music Inspired by the Passion of the Christ, moved Todd Sterling of Country Review to observe that "Shooter has the same soulfulness in his voice as his late father." Meanwhile, his big-screen debut, playing his father opposite Joaquin Phoenix's Johnny Cash, promises to be a highlight of next year's biopic WALK THE LINE. All well and good, but no matter where Shooter Jennings'instincts lead him, PUT THE O BACK IN COUNTRY points right to the heart of who he is. "My whole statement is about the music," he insists. "It's about not being afraid to cross any boundaries. It's about freedom. And I know that the people in that little place between New York and L.A. called America will come, as long as the music is real."
Date Venue City State Note
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03/20/2009 - Shooter Jennings Shot Down Velvet Revolver - Read More
03/11/2009 - Shooter Jennings best of coming - Read More
08/28/2008 - Shooter Jennings is a country boy at heart  - Read More
06/27/2008 - Shooter Jennings hits a bullseye at The Beachland Ballroom - Read More
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Average Rating : 0              Total Reviews: 198


Shooter Jennings  10/28/2006            
Chisum
Im big Shooter fan, but i have to say this is one of the worst live cd's Ive ever heard. The song selection is mediocre, but whats really bad is the sounds quality, or the lack there of. The least they could have done was put better songs on it. The 2 Manifesto songs shouldnt be on there, and niether should Busted in Baylor County. Those are good songs, but he has much better. They could have replaced them with Hair of the Dog, Some Rowdy Women, and Little White Lines, which I think are better songs. Good Artist, Bad Album.
Shooter Jennings  10/18/2006            
mazski
With a soul of smoke and whiskey, and a bedroom voice that can rock with the best, talented musician (piano, drums, guitar), singer, song writer, Shooter Jennings is the next Legend in the Making not only for country music but also the kind of southern rock you feel in your heart and soul.
Shooter Jennings  10/11/2006            
tammi
shooter has a sound like his daddy in some ways he is a kick ass singer
Shooter Jennings  08/21/2006            
Dawn & Brian
Caught his show in Macon, GA. Small theatre, great sound. The show was great but what really amazed me was the audience. I saw 2 couples who looked to be in their 70's. They were singing along. He appeals to such a cross section. The band was great and I look forward to more CD's.
Shooter Jennings  08/14/2006            
Katelynn
I luv gone to carolina!!it is 1 of my fav. songs
Shooter Jennings  08/12/2006            
Ryan
Excellent album. Every song sounded great.
Shooter Jennings  07/26/2006            
road-dawg
Shooter is the second coming of country music. he sings COUNTRY music not whats being called country right now. his two albums are the only one in a while that you can listen to from start to finish. so if you dont own BOTH of the CDs buy them NOW.
Shooter Jennings  07/20/2006            
ok2step
WORTH WAY MORE THAN 5 STARS********** If I didn't already have a copy of Put THE O BACK IN C UNTRY, I would buy one just based on this website's sample of Daddy's Farm. Their sampler makes that song sound even tuffer and meaner than it really is and it's by far the roughest one he's got. My advice is click on the best seller page from 2005 at this website and see if you don't agree with me. And if you ever get the chance to see him live in concert as a headliner: MAN TAKE THE OPPORTUNITY. You'll think all your prayers have been answered!!!!!
Shooter Jennings  06/28/2006            
Derek Kramer
Shooter Jennings is the real deal! With his country music and Rock n Roll attitude hes one of the most unique country artist out today! I MET Shooter at the Lynard Skynard and 3 doors down concert. Before Lynard Skynard played he came out into the lawn area where i was and i talked 2 him
Shooter Jennings  06/28/2006            
russell-23
best singer out there today. with the old guys singing about homos, its nice to hear that someone still knows what country is all about, drinking! hair of the dog is an awesome song. and is it just me, or does anyone else see a hidden punchline in alligator chomp?
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