Jean Caffeine








Jean Caffeine
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Rig Rock; Honky Tonk; Singer/Songwriter San Francisco, California; 1960- Jean Caffeine began her musical career in California in the late 1970s as a drummer in the all girl punk band the Urge. Moving to New York City in 1980, she worked as a nightclub DJ and became drummer for another all girl band, Pulsallama. Noted primarily for theatrical stage shows and a fun loving approach, Pulsallama had one minor underground hit, "The Devil Lives in My Husband's Body" (about a guy with Tourette's Syndrome) and opened a few shows for the Clash. After the band's demise (their record company ran out of money), Caffeine assembled yet another all female band, Clambake. It was short lived but included several Austin, Texas natives who gave Caffeine the idea she might have better luck there. Relocating to Austin in the mid-1980's, Jean put together an alt. country unit, Jean Caffeine's All-Nite Truckstop, that played a self described mix of "electrified porch music and garage country." Over the years, the band had a rotating collection of Austin musicians including Brent Wilson (Wagoneers), Mark Rubin (Bad Livers), Champ Hood (Threadgill's Troubadours, Toni Price), Mike Buck (Fabulous Thunderbirds), Charlie Llewellin (Gourds), Lisa Pancratz, Amy Tiven, and many others. In 1990, the All-Nite Truckstop cut a self-titled, self-released cassette which was released the next year on the German label Blue Million Miles. It combined country/rock/punk highlighted by Caffeine's originals ranging from sentimental ("Tears Away" and "Hole in My Heart") to comical ("You're Like a Mosquito," "That Was the Liquor Talkin'," "What's So Happy About Happy Hour?," and "Jesus Is Coming To A Theater Near You"). They followed it up with another cassette Hard Work and a Lot of Hair Spray produced by Gurf Morlix. This recording drew attention from Diesel Only which put out a single of "Hard Work" (b/w "Hoe-down in the Sky") in 1992 and later included "Hoedown" on Rig Rock Truck Stop. All-Nite Truckstop made four appearances at SXSW and toured both coasts and Europe but in the mid-1990s, Caffeine decided to drop the honky tonk persona in favor of a more folk/rock oriented style. In 1997, with a new supporting cast of Austin musicians she recorded Knocked Down 7 Times, Got Up 8 and released it on her Joe Records. Unlike, Caffeine's previous work, this effort is much more personal and introspective. As the title suggests, it explores, sometimes humorously, sometimes bitterly, life's ups and downs. --David Goodman, author of Modern Twang: An Alternative Country Music Guide and Directory
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Average Rating : 4.7              Total Reviews: 6


Jean Caffeine  02/13/2006            
Jean Caffeine  12/22/2005            
by nanny phofanny
why does it say here that Jean Caffeine's fans are buying these other cds. Is it really true? I mean, get honest here. Are her fans really buying Roger Creager and the Groobees. Or are we just being led to believe that? I don't buy it? You know what I mean?
Jean Caffeine  11/05/2005            
lean bean
seen lean clean machine caffeine jean bean queen screen keen teen
Jean Caffeine  01/04/2002            
No Deppression
In concentrating on a batch of songs dealing with the fallout from a soured relationship, Jean Caffeine flirts with the possibility of making a Southwestern Exile in Guyville or even (yikes!) a Texas Jagged Little Pill. Fortunately, the turf she treads upon with Knocked Down 7 Times Got Up * is closer to the hallowed ground of Lucinda William's 1988 eponymous LP, that of an independent woman in her 30s who 's been betean up by love and who knows she deserves better. The moods here run the gamut from venomous in ''The Last Hurrah'' (aimed at her ex, as he goes for a dish of fresh meat: ''Every night is a bachelor party, but you never get to your wedding night'' and ''Tough Act to Follow'' (I know an old fuck can't compete with a new one"), to withdrawn in "The Sea"; from flirtatious in ''Everybody Needs Someone to Think About'' to cautious in ''Worth the Wait''. Caffeine's ''You Can't Have My Heart''serves as a cynical sister to Lucinda's, ''Am I too Blue''. Whereas Williams offers her lover the shelter of her embrace, such a gesture is not quite as warm coming from Caffeine. She'll hold you, sure, but don't mistake that for love, buddy. You can't have her heart. She gave it away. Suffice to say, this is basically a lyracist's album. The music tends to be plain (though not unmemorable) acoustic-based rock 'n' roll, often starting with the stole strum of Caffeine's guitar and finishing up like Beggar's Banquet. The one shining exception is the ornate closer, ''Watching the Clouds'', which producer Lars Goransson turns into a Spector-esque mood piece, finishing off the otherwise arid soundscape with a cavalcade of sound-likeending a dry, dusty day with a rainstorm. Nice touch. It almost makes one feel like maybe there's relief around the bend for the songstress.
Jean Caffeine  01/04/2002            
Austin Chronicle/Margaret Moser
Jean Caffeine's latest album emanates a sort of slumber-party ambiance, which is simply to say that its female voice balances innocent dreams of girlhood with the intimate reality of womanhood. Caffeine has long demonstrated this knack in her varied and interesting musical career, from drummer for N.Y.'s Pulsallama to her savvy Hard Work and a Lot of Hairspray as JeanCaffeine's All-Night Truckstop. With Knocked Down 7 Times, Got Up 8, she does it again -- with a little help from Joey Shuffield and Tony Scalzo of Fastball, among others. What's so pleasing is how Caffeine's already deft songwriting seems to mature even as the album's 12 listed tracks progress, from singsong harmonies of "Tijuana Haircut" and the plaintive "Fly Home" to the hidden title track at the end of the utterly charming "Watching the Clouds Roll By." When she sings, "Drop-kicked andsucker-punched a couple of times, some scrapes and bruises but I'm okay/Had the stamina to go all ten, to raise a kid but I'm still on my own and it's still along way home/I'll never be a featherweight but I've got a couple of moves thatno one's got..." it's such a winning combination of wry, worldly wisdom andguileless ingenuity that it seems unfair to saddle her with a "must-see"demand. If that's the way to get you to listen to her sly groove, however, so be it.
Jean Caffeine  01/04/2002            
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