Jake Andrews


No Audio Available
Jake Andrews
No Video Available
It's no exaggeration to say that Jake Andrews was born to play the blues. The 21 year old guitarist, singer and songwriter from Austin, Texas began playing soon after he started walking, and since the age of eight has been trading licks with such masters as Albert King, B.B. King, Albert Collins, Buddy Guy and Otis Rush. By his early teens he was wowing audiences and fellow musicians at such premier blues venues as B.B. King's in Memphis and Los Angeles and Slim's in San Francisco, as well as Antone's nightclub in Austin. At age 19 he released his first album and scored a Top 10 Rock Radio hit with "Time To Burn." Now, with his self-titled debut album for Antone's Records, Andrews proves himself to be a new musical powerhouse ready to stamp his own imprint on blues and rock'n'roll. Produced by roots rock legend Carla Olson, the disc not only showcases the taste, imagination and power in Andrews' playing, but also displays his full-fledged abilities as a soulful singer and preternaturally gifted songwriter. With a rich mix of the blues tradition and the music's coming evolution, the album marks Jake Andrews as a landmark blues stylist in the proud Texas tradition of T-Bone Walker, Freddie King, Johnny Winter and Jimmie and Stevie Ray Vaughan. Don't believe us? Then check out what his precursors have to say. As Jimmie Vaughan says of Jake, "He's exactly what the blues needs to keep going: someone with a feel for the music who isn't afraid to take it to new places." The late Albert Collins predicted years ago that "by the time he's old enough to buy a drink he may be ahead of us all." Now, at 21 years old, Andrews is ready to claim his rightful place as a new blues master. Jake Andrews grew up immersed in music, thanks to his father, John "Toad" Andrews. The elder Andrews played guitar with Texas blues master Grady Gaines before heading to California, where he worked with Michael Nesmith before making his name as a member of the pioneering roots music group Mother Earth with noted singer Tracy Nelson. By the time Jake was four years old, his father had given him his first guitar and was teaching his son the basics. At an age when most youngsters where learning their ABCs, Jake was absorbing the music of such 1950s rock'n'roll originals as Chuck Berry, Buddy Holly, Gene Vincent, Eddie Cochran and Elvis Presley before moving on into his father's collection of classic blues records. When Jake was eight, he met Albert King at Antone's nightclub, and joined King onstage to play "some extremely fine blues [that] brought the house down," according to the Austin Chronicle. In the years that followed, Andrews jammed with and opened shows for numerous blues legends. He also toured Europe with the Antone's blues review, appeared on "Austin City Limits" with Gatemouth Brown, was featured on CBS TV's "The Osgood File," and recorded with such Texas blues greats as Grey Ghost and Long John Hunter, all well before he was even old enough to drive. In his late teens, Andrews signed with Jericho/Sire Records and cut his first album, Time To Burn, with producer John Porter. The Times of London praised the disc for its "honest vitality and rough, uncomplicated charm." And the Austin American-Statesman observed how Andrews is "plainly poised for bigger things" after emerging as "a fully mature musical talent." Andrews notes that his youth "was certainly different from anyone I knew. It was a great foundation for doing this later in life." And for all the encouragement Andrews got from his musical heroes and praise he has received from the media, he remains modest about his stunning abilities. Having already grown past his prodigy status, Jake doesn't allow himself to be caught up in defining his place in the musical world. "Y'all can figure that out," he says. "I love this music. I love any kind of music. This is just where my roots are, and that's what comes out naturally. I don't think about whether its blues or not, because it's more than just a sound. "I don't try to see myself as anything," he concludes. "I'm not doing anything different from when I was seven or eight years old. I'm just doing what feels natural to me."
Date Venue City State Note
No Tour Dates Available
No News Available
No Blogs Available
No Interviews Available
No Merchandise Available
Average Rating : 4.9              Total Reviews: 13


Jake Andrews  03/22/2005            
Amber Briggs
This CD was great. They'll Never Know was my favorite song on this CD.
Jake Andrews  03/18/2004            
Stephen Thomas Erlewine, All Music Guide
"Time to Burn" Like many Austin musicians, Jake Andrews is a child of the blues, but he's also the child of John "Toad" Andrews, who played with Mother Earth in the '60s. That gave him an edge in the cutthroat music business, but it's just as likely that the reason why he secured a record contract at the age of 19 was the fact that teenage blues prodigies were a hot commodity in the '90s. Ever since Jonny Lang and Kenny Wayne Shepard, other labels were clamoring for their own hot shot, and Andrews was well-suited for the part, since he can play and has a weathered voice that sounds much older than 19. He also has a tendency to veer away from straightahead blues, favoring blues-rock, as well as the occasional soul song. Clearly, his biggest influence is fellow Texan Stevie Ray Vaughan, whose big, blustery guitar tone and throaty voice provides the template for Andrews' debut Time to Burn. While Andrews isn't nearly as developed or as skilled at emulation as SRV was on his debut, he is considerably younger and his technical acumen is something to behold. However, Time to Burn suffers from the same problem that plagues albums from young bluesmen -- it's impressive on the surface and even quite enjoyable, but it's not particularly nuanced or deep. Depending on your view, that may be a minor thing, since Andrews keeps it rawer than Lang and he already shows signs of branching past SRV-styled blues-rock and developing his own style. It may be a fairly conventional '90s blues-rock album on the surface, but Time to Burn nevertheless does announce the arrival of a guitarist that has the potential to become one of the leading lights of Texas blues-rock, once he matures a bit. ~
Jake Andrews  03/18/2004            
Genevieve Williams Amazon.com Review reads:
"Looking at the cover of Jake Andrews's debut, it's easy to dismiss him as yet another blues wunderkind of the sort that have emerged with increasing frequency in the 1990s. But pop in the CD and hit play, and immediately one realizes that Andrews is no wannabe. The title track, which opens the album, contains hints of Buddy Guy in its blues-rock riffs, and no wonder: Andrews appeared onstage with Guy when he was but 8 years old. And those guitar riffs, by turns crunchy and smooth, are what to listen for on Time to Burn; Andrews isn't merely technically skilled, but has the ability to set the tone for a song from the opening line. Weak moments are few and far between here, excused by a wealth of strong material that, along with surprisingly mature lyrics, indicates that Andrews is an artist to watch. --Genevieve Williams"
Jake Andrews  03/18/2004            
"Jake Andrews" self titled new Cd
The blues is about more than chords and notes on the neck of a guitar, or classic lyrical themes sung in the blues style. The blues is about capturing certain elemental feelings, and conveying them with passion and soul. Jake Andrews knows the blues, and on this album he infuses the blues with 21st Century energy and imagination. At a time when young blues guitar prodigies are a dime a dozen, Andrews is the new million dollar blues man, as well as this era's original smoking young guitar gun. He first hit the stages of Austin, Texas at the age of eight, and was soon wowing the likes of B.B. King, Albert King, Albert Collins, Otis Rush and Buddy Guy by trading riffs with such giants like a mature master. Andrews scored a Top 10 rock radio hit with " Time To Burn" on his first release. Now he establishes himself an exciting and original inheritor of the musical legacy of such Austin guitar giants as Jimmie and Stevie Ray Vaughan and Eric Johnson as well as Texas legends like T-Bone Wlaker and Johnny Winter. As Jimmie Vaughan observes, "He's exactly what the blues needs to keep going: someone with a feel for the music who isn't afraid to take it to new places." New release on Antones Records.
Jake Andrews  03/18/2004            
by Scott Snidow rockzilla
"Jake Andrews" "Jake's ahead of a lot of us grown-ups now, and by the time he can buy a drink, he may well be ahead of us all." -Albert Collins Jake Andrews is now old enough to buy that drink, and the prophecy that Albert Collins made years ago when Andrews was barely a teenager is being fulfilled. On his latest self-titled release on the Austin based Antone's Records, this Texas guitar virtuoso is serving notice that he has come of age. With a vengeance!
Jake Andrews  03/18/2004            
Jericho by Robert T. Murphy
"CD Review Jake Andrews "Time To Burn" 1999 Cello Recordings' There must be something in the water in Austin Texas. Good guitar players always seem to be from Austin or have some Austin connection. Jake Andrews comes from a musical family (his father, John "Toad" Andrews played with Mother Earth) and he was known as "Little" Jake Andrews for a long time. He has dropped (or outgrown) the "Little" tag and now is competing with Jonny Lang and Kenny Wayne Shepherd.
Jake Andrews  03/18/2004            
Splendidezine Review
Jake Andrews / Time to Burn / Jericho (CD) Austinite Jake Andrews arms himself with one of the most dangerous sounding blues-based guitars in quite some time, deftly balancing between rockin' grooves and burnin' solos. Easily surpassing most of his peers in technique as well as in crafty songwriting, Andrews smartly avoids producing a guitar-solo-fest, as tunes like "Just You and Me" and "Time to Burn" have the embedded soul of Sam and Dave and the Fabulous Thunderbirds emanating from every riff and vocal "call and response." Blues fans take note: this 18-year old not only plays well, but provides some well-produced, beer-accompanying tunes too.
Jake Andrews  03/18/2004            
Hip On Line Review by Larry Sarzyniak
There's a new gunslinger in town and his name is Jake Andrews. It's hard to believe that an eighteen-year-old kid can write and play such exhilarating blues music. Jake learned his trade from his father, John "Toad" Andrews, of Mother Earth. He was also influenced by such legends as Jimmie Vaughn and Albert Collins. Time To Burn captures every root that is blues music.
Jake Andrews  03/18/2004            
By Amazon.com Blues editor Genevieve Williams
Jake Andrews on Fire Austin guitarist Jake Andrews talks about songwriting, musical influences, and recording his debut, Time to Burn When it comes to playing guitar, Jake Andrews has a few advantages. He cut his teeth on guitar strings, thanks to his father, formerly of Mother Earth. By the time he was 8 years old, Andrews had performed with no lesser a figure than Buddy Guy, and over the years he shared the stage with, among others, Albert Collins, Albert King, and Otis Rush. With the release of Andrews's solo debut, Time to Burn, it appears that experience pays off.
Jake Andrews  03/18/2004            
Austin City Search Review
"Jake Andrews" Out of the wonder years and into the working years. The Skinny From his launching pad at Antone's, jamming with Albert King at age 8, it was clear that Jake Andrews was primed to head skyward. Now an official heartthrob at 20, complete with fan websites, Andrews has exceeded his super boy status and found a maturing style. His songwriting reflects reverence for the fine collaborations of Stevie Ray Vaughan and Doyle Bramhall Sr., while his voice evokes Doyle Bramhall Jr. Andrews' new approach may be shared by legions of other Hendrix followers, but there's reason to believe that he will blaze new trails, and soon. Get in on the ground floor.
Add Review   More Review