Jake Andrews


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Jake Andrews
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It's no exaggeration to say that Jake Andrews was born to play the blues. The 21 year old guitarist, singer and songwriter from Austin, Texas began playing soon after he started walking, and since the age of eight has been trading licks with such masters as Albert King, B.B. King, Albert Collins, Buddy Guy and Otis Rush. By his early teens he was wowing audiences and fellow musicians at such premier blues venues as B.B. King's in Memphis and Los Angeles and Slim's in San Francisco, as well as Antone's nightclub in Austin. At age 19 he released his first album and scored a Top 10 Rock Radio hit with "Time To Burn." Now, with his self-titled debut album for Antone's Records, Andrews proves himself to be a new musical powerhouse ready to stamp his own imprint on blues and rock'n'roll. Produced by roots rock legend Carla Olson, the disc not only showcases the taste, imagination and power in Andrews' playing, but also displays his full-fledged abilities as a soulful singer and preternaturally gifted songwriter. With a rich mix of the blues tradition and the music's coming evolution, the album marks Jake Andrews as a landmark blues stylist in the proud Texas tradition of T-Bone Walker, Freddie King, Johnny Winter and Jimmie and Stevie Ray Vaughan. Don't believe us? Then check out what his precursors have to say. As Jimmie Vaughan says of Jake, "He's exactly what the blues needs to keep going: someone with a feel for the music who isn't afraid to take it to new places." The late Albert Collins predicted years ago that "by the time he's old enough to buy a drink he may be ahead of us all." Now, at 21 years old, Andrews is ready to claim his rightful place as a new blues master. Jake Andrews grew up immersed in music, thanks to his father, John "Toad" Andrews. The elder Andrews played guitar with Texas blues master Grady Gaines before heading to California, where he worked with Michael Nesmith before making his name as a member of the pioneering roots music group Mother Earth with noted singer Tracy Nelson. By the time Jake was four years old, his father had given him his first guitar and was teaching his son the basics. At an age when most youngsters where learning their ABCs, Jake was absorbing the music of such 1950s rock'n'roll originals as Chuck Berry, Buddy Holly, Gene Vincent, Eddie Cochran and Elvis Presley before moving on into his father's collection of classic blues records. When Jake was eight, he met Albert King at Antone's nightclub, and joined King onstage to play "some extremely fine blues [that] brought the house down," according to the Austin Chronicle. In the years that followed, Andrews jammed with and opened shows for numerous blues legends. He also toured Europe with the Antone's blues review, appeared on "Austin City Limits" with Gatemouth Brown, was featured on CBS TV's "The Osgood File," and recorded with such Texas blues greats as Grey Ghost and Long John Hunter, all well before he was even old enough to drive. In his late teens, Andrews signed with Jericho/Sire Records and cut his first album, Time To Burn, with producer John Porter. The Times of London praised the disc for its "honest vitality and rough, uncomplicated charm." And the Austin American-Statesman observed how Andrews is "plainly poised for bigger things" after emerging as "a fully mature musical talent." Andrews notes that his youth "was certainly different from anyone I knew. It was a great foundation for doing this later in life." And for all the encouragement Andrews got from his musical heroes and praise he has received from the media, he remains modest about his stunning abilities. Having already grown past his prodigy status, Jake doesn't allow himself to be caught up in defining his place in the musical world. "Y'all can figure that out," he says. "I love this music. I love any kind of music. This is just where my roots are, and that's what comes out naturally. I don't think about whether its blues or not, because it's more than just a sound. "I don't try to see myself as anything," he concludes. "I'm not doing anything different from when I was seven or eight years old. I'm just doing what feels natural to me."
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Average Rating : 0              Total Reviews: 13


Jake Andrews  03/18/2004            
By Stephen Thomas Erlewine, All Music Guide
"Jake Andrews Time to Burn CD Rollingstone Review" Like many Austin musicians, Jake Andrews is a child of the blues, but he's also the child of John "Toad" Andrews, who played with Mother Earth in the '60s. That gave him an edge in the cutthroat music business, but it's just as likely that the reason why he secured a record contract at the age of 19 was the fact that teenage blues prodigies were a hot commodity in the '90s. Ever since Jonny Lang and Kenny Wayne Shepard, other labels were clamoring for their own hot shot, and Andrews was well-suited for the part, since he can play and has a weathered voice that sounds much older than 19. He also has a tendency to veer away from straightahead blues, favoring blues-rock, as well as the occasional soul song. Clearly, his biggest influence is fellow Texan Stevie Ray Vaughan, whose big, blustery guitar tone and throaty voice provides the template for Andrews' debut Time to Burn. While Andrews isn't nearly as developed or as skilled at emulation as SRV was on his debut, he is considerably younger and his technical acumen is something to behold. However, Time to Burn suffers from the same problem that plagues albums from young bluesmen -- it's impressive on the surface and even quite enjoyable, but it's not particularly nuanced or deep. Depending on your view, that may be a minor thing, since Andrews keeps it rawer than Lang and he already shows signs of branching past SRV-styled blues-rock and developing his own style. It may be a fairly conventional '90s blues-rock album on the surface, but Time to Burn nevertheless does announce the arrival of a guitarist that has the potential to become one of the leading lights of Texas blues-rock, once he matures a bit. ~
Jake Andrews  03/18/2004            
By J.J. Perry Herald-Times Staff Writer
Buddy Guy is like the E.F. Hutton of blues guitar legends: When he talks, people listen. And when Guy is talking up an up-and-coming player, it's hard not to check out what the new kid is doing. Monday night, we'll find out as 19-year-old guitar sensation Jake Andrews opens for Buddy Guy at Mars at 9 p.m. Andrews, born and raised in the fertile musical community of Austin, Texas, is the laid-back southerner personified, even when talking about some of the things he's been up to lately. "We're out doin' a bunch of dates promotin' the album," he said with an easy drawl. "We're going out with Buddy, we did a week with George Thorogood, we'll be out with Susan Tedeschi and Jimmie Vaughan."
Jake Andrews  03/18/2004            
Steve Johnston
B L U E S R E V I E W S Music.com Jake Andrews : Time To Burn Release Date 5/11/99 Jericho Records While many people feel that Johnny Lang simply acts out the part of a blues- player, the role seems to flow almost effortlessly for Jake Andrews. On his album, Time To Burn, Andrews plays the kind of rock and-blues guitar that would make Stevie Ray Vaughn proud. From the very first song, the title track "Time To Burn," Andrews introduces his style of Texas-licks and Charlie Sexton-like vocals. The blues are then thoroughly injected with the bluesy-stomp "Cry Baby." The album is a mixture of Texas-stomp, blues and the lick-n-strut style of rock that made Stevie Ray famous. On the more soulful "The Hard Way," Andrews' harmonies lend themselves naturally and produce a depth that is one of the highlights of the album. "Just You And Me" sees a return to the Texas-stomp style, but the upbeat mood and tempo of the album is just as quickly interrupted by the Lang-like-lameness of "You've Got To Know." "I Don't Wanna Go Home" quickly gets things back on track with the rhythm and soul of the previous tracks. On the lighter side, things slow down nicely with the more reflective "It All Passed Me By" and the smooth ballads "Lover To Cry" and "IÕm Glad For Your Sake (So Sorry For Mine)." "I'm Glad" is a rockabilly type of song that croons with class. The sound and feel of the album is very similar to when Charlie Sexton and the surviving members of Double Trouble collaborated as Arc Angels. The music has more of a smooth flow however, and while it sounds similar, the feel of the album is different. Jake Andrews has produced the kind of album that rock and blues fans have been looking for. He provides solid guitar work that is humble and not overstated and hits quality licks and rhythms. He is patient and it shows through as each song flows freely and is not weighed down by extravagant or unnecessary solos. For fans of Texas-style rock and blues, Jake Andrews is a welcome surprise in a time when teen groups are being hoarded as record companies attempt to reproduce the success of Johnny Lang and Hanson. Despite his youth, Andrews plays with a maturity that rings true throughout the album. He plays the real thing and sings with a voice that is aged beyond his years. --Steve Johnston--
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